Hot Body Ink

Five tattooed tarts each get seriously penetrated with needles filled with sperm as opposed to ink in this colorful Elegant Angel outing. Since this is a sex movie and not a documentary on tats, it’s good that director William H. focuses on—and succeeds in—getting the most out of his painted ladies’, sexually speaking, skin-deep talents, the best of lot being the stickings and prickings heartily delivered to Bonnie, Bailey, and Christy. Each of the five sex scenes is proceeded by glamour interludes of the girls posing in rather elaborate, tasteful (meaning expensive-looking) settings (some outdoor, others indoor, some a bit o’ both), as they disrobe and play with their permanently stained bodies, before getting such further stained, but nothing that can’t be thoroughly washed off with soap and hot water.

Attacking our totally torrid three in chronological order… Cover model Bonnie Rotten, sporting some pretty impressive tats, winds up on an imitation-black-leather couch with Mick Blue, who eventually hammers her hemorrhoid hamlet, really pounding her crapper silly, with our illustrated woman frequently squealing, moaning, even howling in pure ecstasy. Bailey Blue is paired up with Manuel Ferrara—this time on an imitation black-leather love seat—for a jolly-good goodtime. Plenty of Kissing, choking, sucking, and poking here—and, yes, she does take it up her anus—with some impressive gaping action included.

And Christy Mack? She’s got a notably luscious body and a really cool kind of half-Mohawk/half-Bride-of-Frankenstein haircut. Lucky prick Mick Blue taps Mack—on a good, old-fashioned white sofa this time. She enjoys having ass slapped, just as much as we enjoy watching her getting it smacked. No anal here. But, hey, no prob. Christy does a good enough job (with mouth and vadge) getting good ’n’ sweaty. I especially liked how she sits sideways on Mick’s dick, which is a great position, not only allows maximum penetration but also impressively highlighting her stupend-ass butt cheeks.

And while Hot Body Ink does well to zero in on the sex—and frequently blistering it is!—it still would have been neat if director William H. let his camera linger just a little longer on some of these ladies’ incredible body art, especially the relatively extensive work on Bonnie Rotten and Bailey Blue. For instance, the ghoul on the right side of Bonnie’s stomach is particularly eye-popping. In fact, much of her body looks like the panels of an E.C. horror comic from the 1950’s or something. Cool!