profile

New Leadership: Mark ‘Blazing’ Schechter Takes Reins of ATMLA

Mark “Blazing” Schechter may be new to the talent-agency game, but he’s no stranger to high-stakes business.

The owner of Adult Talent Managers (ATMLA) gained invaluable experience on how to manage people and problem solve during a 20-year career in the casino industry before entering porn 15 years ago.

Even though the industry itself is at a pivotal point, very volatile in many aspects, I feel I can still be successful in this particular sector of the industry and make a difference. -Mark Schechter Owner, ATMLA

“I dealt with a side of commerce, if you will, just like porn,” Schechter told XBIZ. “Porn, gambling and alcohol. Those are the three areas of commerce out there that typically have human issues involved.”

Schechter’s background in casinos started in 1979, when at age 21 he went to work for his late mother in a private card room in Orange County, doing server and clean-up work. His mom’s boyfriend at the time taught him how to deal cards and manage the card room. It turned out he was a natural, and just a couple years later Schechter went on to become one of the original managers of Commerce Casino from 1983–86. He later returned to Commerce as a dealer in the high-limit games in the mid- to-late 90s, just prior to his foray into affiliate marketing.

“I’ve always been a person that can come into a company or come into any type of business or industry and manage,” Schechter said. “It’s always been my forte. That’s what I plan to do. I plan to manage this business dealing with the two aspects that we have—the clients and the models.”

Schechter first made a name for himself in adult circles as Mark Blazing, a part owner of the XBIZ Award-winning Blazing Bucks affiliate program. Then last summer he began his transition into performer management, applying the same philosophies and approach to the agency side as he did in building Blazing Bucks into an established industry leader that eventually led to a successful merger with Gamma Entertainment in March 2012.

“Even though the industry itself is at a pivotal point, very volatile in many aspects, I feel I can still be successful in this particular sector of the industry and make a difference,” Schechter said.

He officially took control of ATMLA in July, when he and former owner Shy Love released a joint announcement about the change in ownership. However, the 55-year-old native of Orange County, Calif., actually purchased the agency on Oct. 1, 2012, after initially meeting with Love about acquiring the company in June 2012.

“Shy and I agreed in the very beginning that it was in the best interests for the agency and completely in my best interests as an owner, to go into this venture as a partnership,” Schechter said. “Peter North was a real partner in this. He still is. Peter’s a close friend of mine, still is. I managed his accounting for him when he was down in Orange County. Peter was one of my financial partners. So Shy and I agreed that we would do this, but we would not announce that I’m going to be buying the agency.

“Because there was a lot of volatility that I could expect if I did that, especially with regards to models primarily, because they’d be used to dealing with a particular agency or a particular person in an agency.

“Models get very much attached to a particular person or a particular entity. Trust, performance, reliability. So I agreed. I said to Shy, ‘Yeah, you’re right. That is a very, very smart move because I know that I am confident with myself to establish new relationships,’ but that I needed that time. So we structured the purchase over a year’s period of time. It was a one-year purchase agreement that would enable me to do a few things.”

Schechter knew adult industry sales, marketing and publishing, as well as how to manage model websites — Blazing Bucks still manages well-known sites for performers such as Bree Olson to this day— but at first he admits he did not know about all that was involved in running an agency.

“I had an idea. I knew what I was getting into, but I really needed to learn under somebody that really had the experience and the knowledge that she built a very successful business, so it was to my advantage to keep Shy Love involved as a partner until I was ready to jump out of the nest,” he continued.

Schechter used his time behind the scenes at ATMLA to get to know each model. He also reached out to clients such as producers, directors and production managers.

“I was virtually unknown on this side of the industry with the exception of the level of Internet people that knew me and a small circle of production people,” said Schechter, who became versed in production while running Overboard Video, the studio arm of Blazing Bucks. “Over the years we produced over 3000 scenes so I did know some people on this side of the industry. But my ex-partner handled all the production. I handled the affiliate program. I handled the business.

“When he exited two-and-a-half years ago, I picked up the production responsibilities. The last two-and-a-half years of that process, I was the one that was managing our production. Again, it was a good learning experience for me to do that.

“So then about two months ago, Shy and I met right here in this office. I sat down and said, ‘Shy I’m ready. Push me out of the nest. Let me fly.’ I said, ‘We’ve got another three-and-a-half months left of our [oneyear purchase agreement.] I want to fly solo.’”

It was no coincidence Schechter timed his decision with the third quarter of 2013 underway, the industry’s awards season approaching and producers ramping up after the traditionally slow summer months. Now that Schechter has assumed control of all aspects of ATMLA, he said, “I think I’m about 50 percent to where I can take this thing in terms of volume.”

He compared increasing the number of scene bookings for ATMLA to memberships for a paysite.

“The more joins, the more money,” Schechter reasoned. “So my objective is to bring my number of bookings up and up and up and up. It’s almost the same philosophy with the Internet. I want recurring revenue. It’s the recurring bookings. It’s satisfied clients. When they go to book a model, they call ATM first or they look at ATM’s site first. They give us that first consideration. That’s my goal.”

He also knows exactly what he needs to do to achieve it.

“Developing and maintaining relationships,” Schechter said. “Establishing a trust factor. Establishing an agency-client relationship so that they’re satisfied. They’re happy to do business with us. It’s not because we have the best models. There’s a lot of people that book from certain agencies only because they have the best models. And I’d rather they come to us because we provide a value-added service.

“Because there’s more that we do. I don’t want to just be on the other side of the phone. I want to be proactive in your production.

“I want to be proactive in your projects. I want to know what you’re shooting. On the Internet side, we had projects that were six, 12, 18 months ahead of schedule. I want to know what are you working on—three, six, nine, 12, 18 months ahead of schedule. What can I do in my recruitment that I spend time, money and effort to bring the best models into the industry? What am I looking for that fits your criteria, so I can keep that in mind?”

Schechter said it’s about “matching product to service.”

“Because I need to justify that 50 or 100 dollars for a booking fee,” he said. “We want to go over and above the call of duty to earn that money, other than just to put it in the schedule and make sure she shows up.”

Schechter said that he would never have been in the position that he is today without the assistance of his wife Marjie, whom he met 10 years ago.

“I never went to an event in 10 years without my wife,” Schechter said. “Maybe a dinner meeting or something like that. But never traveled to any show, any convention, any event without Marjie. And she earned her keep. She was a non-paid employee for a number of years, probably seven years or so in the course of that 10-year period of time.”

Schechter said he also is “blessed with a turnkey staff that is incredible.” He lauded lead agent Sandra Cadiz, agent Brent Tarver, Tiffanie Gard, who does sales, PR and recruiting and Gina Schryn, the model facilitator for ATMLA.

“I have a superb staff that can take the ball and run with it,” Schechter said.

Related:  

Copyright © 2024 Adnet Media. All Rights Reserved. XBIZ is a trademark of Adnet Media.
Reproduction in whole or in part in any form or medium without express written permission is prohibited.

More Articles

opinion

How to Thwart Holiday Fraudsters With Finesse

The holiday season is a prime time for shopping. Unfortunately, it’s also peak season for credit card fraud. With increased transactions both online and in-store, fraudsters have more opportunities to exploit vulnerabilities — and they are getting better at it every day.

Jonathan Corona ·
profile

WIA Profile: Rae Threat

Threat is completely self-taught. Shooting nightlife was how she learned photography and honed her skills, experimenting with ways to shoot low-light action shots without a flash. She notes that these nightly adventures also helped her acquire social and networking skills. One thing led to another, and she soon found herself working in the adult biz.

Women In Adult ·
opinion

Girlsway Celebrates a Decade of Acclaimed Sapphic Erotica

When Girlsway launched back in 2014, Bree Mills had a plan. As head of production for Gamma Entertainment, she set out to up the stakes of all-girl content with the new imprint — and to continually, proactively reinvent the brand and its offerings along the way.

Alejandro Freixes ·
opinion

TeamSkeet Debuts Swappz Channel, 'Swapception' Feature

Chief Revenue Officer Brandon explains, “The inspiration behind ‘Swappz’ emerged from a growing market demand for niche adult content that pushes boundaries and explores the taboo themes and deal-striking handshakes of swaps.”

Alejandro Freixes ·
opinion

Brittney Kade Talks Big 'Career-First' for Adult Time

Brittney Kade’s first gangbang originated as an Adult Time “Director Showcase,” a creative opportunity the production team offered to Jim Powers, one of the studio’s regular producers.

Alejandro Freixes ·
opinion

On the Set: Welcome to Adult Time's 'Futa World'

Dressed revealingly in a yellow waitress uniform, Lauren Phillips greets eager customers Hailey Rose and Chloe Surreal. On a sign announcing the grand opening of “Dick’s Diner,” the apostrophe between letters k and s bears a striking resemblance to an ejaculating penis.

Alejandro Freixes ·
profile

Hayley Davies: From New Zealand Math Nerd to Fast-Rising Adult Star

Growing up, New Zealander Hayley Davies was a proud nerd who participated in mathematics competitions against students from much higher grades. Her good looks turned out to be a kind of secret weapon, causing peers to underestimate her intellectual acumen.

Alejandro Freixes ·
profile

WIA Profile: Inka Winter

Award-winning erotic filmmaker and ForPlay Films founder Inka Winter knows what she wants her films to be, and what she doesn’t want them to be. She seeks to depict sexuality that is mindful, based in human connection and trauma-informed.

Women In Adult ·
opinion

Free Agent Auteur: Casey Calvert Expands Her Directing Horizon

Now, having brought that highly-awarded polyamory trilogy to a close, Calvert is concluding the exclusive Lust Cinema directing chapter of her career and charting a new course out into open creative waters as a free agent.

Alejandro Freixes ·
profile

Collaboration Done Differently: Adult Time Discusses Ambassador Program

Since the launch of Adult Time in 2019, award-winning director and chief creative officer Bree Mills has actively explored collaborative opportunities with members of the performer community, seeking out talent whose values align with the company’s and who appreciate the type of content Mills creates for the multibrand platform.

Alejandro Freixes ·
Show More