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On the Set: Welcome to Adult Time's 'Futa World'

On the Set: Welcome to Adult Time's 'Futa World'

Dressed revealingly in a yellow waitress uniform, Lauren Phillips greets eager customers Hailey Rose and Chloe Surreal. On a sign announcing the grand opening of “Dick’s Diner,” the apostrophe between letters k and s bears a striking resemblance to an ejaculating penis.

Sure enough, it turns out Rose and Surreal are hungry for more than just pancakes and syrup, judging by the giant bulges in their clothing as they daydream about the flapjacks ready to burst from the redheaded server.

I really like to play in this erotic space that is closer to a cartoon world, a world of clowning and commedia dell’arte.

Meanwhile, Phillips has a surprise of her own flopping about beneath her apron, which Surreal brings to erect attention when she pours her own breasts onto the table, jiggling them aplenty. Even as the shy-yet-horny waitress tries to conceal her throbbing excitement behind the “Dick’s Diner” sign, it does not take very long for Rose and Surreal to fire up their loins and spit-roast Phillips through that very same sign.

Welcome to “Futa World,” a new Adult Time brand and site aggregating live-action and animated futanari content with an all-female mix of cis and futa characters. Adult Time’s chief creative officer Bree Mills produces alongside award-winning directors Siouxsie Q and Michael Vegas, taking inspiration from hentai, manga, comics and other transformation-themed niches as they bring fantasies to life in the spirit of the “Futa World” brand tagline: “Your Ultimate Futanari Fantasy.”

The plan is to release one new featurette every month — including “Dick’s Diner,” for which XBIZ has been invited to watch the shoot.

As the light-hearted mayhem unfolds on set, one crew member in particular has a unique set of responsibilities: mainstream master of practical effects Gabe Acero. Ever vigilant, he must ensure that the hyperrealistic yet comically massive phalluses he created, adorned with pubic hair and kitted out with cum-spewing plumbing, stay attached to the stars.

“I really like to play in this erotic space that is closer to a cartoon world, a world of clowning and commedia dell’arte,” Q explains. “I think in porn we are so often playing with larger-than-life tropes anyway, whether it be a stepmom role or what have you — but in ‘Futa World’ we are really firmly in ‘Toontown.’

“The last time we had a futa shoot was with Leana Lovings, who not only had a cock the size of her torso, but also a huge pregnant belly, having instantaneously become pregnant with eggs forming, so it’s definitely a science-fiction world!” she underlines. “I like that we can use practical effects, because it definitely feels like we are in a world where AI is coming and you can’t really trust what you see, if it’s been manipulated or whatever, so it’s really cool to be making something so visceral that is so rooted in practical effects.”

Q says she grew up on “Labyrinth” and “Star Wars” movies, before they started digitally remastering everything, and that the brand’s approach to “Futa World” is very much in the Jim Henson tradition of palpable craft.

“Only this time, it’s fantasy characters with multiple kinds of larger-than-life genitalia, who can release buckets of cum and also cum inside each other,” she adds.

Q notes that Adult Time ambassador Phillips was cast because of her affinity for playing “Jessica Rabbit”-type character roles. Having handled such parts on multiple occasions, Q says, makes Phillips ideal for “Futa World” and its grander-than-reality scenarios.

At that moment, Michael Vegas sidles up, offering his take before he gets suited up in his Transformers-esque camera gimbal getup.

“We are using giant prosthetic penises on our models that actually ejaculate and can be used as strap-ons, fully transforming these women into fantasy characters of women with vaginas and penises,” Vegas says. “We always love to have our Adult Time ambassadors included on projects and when Lauren Phillips saw that we were doing the futa project, she definitely wanted to be part of this crazy game that we’re playing.”

This is the team’s third round of futa content so far, and Vegas says they are becoming increasingly familiar with the mindset and what the fans are looking for in the genre.

“The first one was a pretty great success, even if it was really a crapshoot going into it as to whether or not it was going to work,” he confides. “But it worked very well and the public liked it. We saw the reaction of the audience, the models and the viability of the product, so we started pushing forward creating ‘Futa World.’ And it’s just been so much fun doing it.”

Tinkering with his box of cocks, surrounded by tools of the prosthetics trade, Gabe Acero offers an inside glimpse into how he creates the specialized devices, which are fully mechanized to ejaculate.

“Basically, these are full platinum-cured silicone, body-safe penis prosthetics,” he explains. “They’re stuck onto the actresses with a silicon adhesive that will last all day long for the most part. It’s very tenacious, so it can usually endure all the movement, with minor touch-ups throughout the shoot.”

He then shows off the pubic hair, applied on the upper edges to provide a natural looking bush and to help hide where the prosthetic ends and the natural skin begins.

“We just want to go for as much realism as possible” Acero observes. “I’ve been doing this for about seven or eight years now, working with a variety of special effects. This is my third shoot with Adult Time, they’ve been great. We learn a little bit more with every shoot. The goal is just to get a little better every time.”

It’s an approach that has begun to pay off, Acero notes.

“I think we’re at a good point where we’re doing something very different and unique in this industry,” he says. “People are really liking it and the more we do, the better we get. That’s always the goal: to deliver the best product out there to the viewers.”

Fresh from her makeup, the temporarily penis-less Hailey Rose expresses excitement for the futa shoot.

“I’ve done this genre once before, but I didn’t get to wear the dick,” she offers. “I think this will be my first time coming on a woman with a dick. Even though it’s fake, I’m really excited to do that!”

Acero calls over the performers to apply the prosthetics. They delight in the process, which goes surprisingly fast. Throughout the shoot, he reapplies adhesives and makes adjustments, like a pit stop mechanic at the Indy 500 — or perhaps a demolition derby, given how much of a pounding his creations are required to withstand.

Surreal hams it up, brandishing her colossal member and clearly enjoying the experience.

“I am here to spit-roast Lauren Phillips with Hailey Rose!” she enthuses. “I’m so excited for this cool, big-old silicone penis between my legs. I’m having to stand really wide and it’s giving me a big appreciation for when I see folks with penises wearing skinny jeans. Normally, I just make fun of them, but now I honestly see how brave it is. They’re cock athletes!”

Glancing down affectionately at her temporary endowment, Surreal ponders her growing attachment to it.

“I want to take this dick home with me, pour water on it, feed it fertilizer and see if it grows,” she declares. “So there’s lots to love.”

After a few takes that see Surreal and Rose traipsing into Dick’s Diner, flirting with Phillips and eventually having their way with her, Surreal takes a break to offer her assessment of how the penis performed on its road test.

“I wish I had more ass to off-balance the combined weight of my tits and dick together!” she says. “Fortunately, I’ve got some experience with pegging, so this dick feels kind of like that, but less secure than a traditional strap-on. It’s all about holding the base of the dick and connecting hip to hip.”

Meanwhile, Phillips is a total trooper, using her impressive back strength to balance herself carefully, minus any hand support, through multiple takes of sucking off Rose while getting doggied by Surreal through the Dick’s Diner sign. Given the difficulty of maintaining that position, Q and Vegas check in to ensure she is okay and takes plenty of breaks, but the end result pays off as the trio make merry in a unique scenario.

“Having this prosthetic has been great and definitely interesting,” Phillips says. “It’s a lot heavier than a strap-on usually is, but the length makes it way easier to get good angles for the camera when they’re trying to get a shot of the penetration. It’s very visibly obvious that it’s inside the vagina.

“The chemistry with Hailey and Chloe has been amazing,” Phillips continues. “I feel like I feed into their energy and try to make sure that we all enjoy ourselves. It’s also super amazing to have this kind of support where we’re all checking in on each other throughout the scene, to make sure that we don’t hurt each other. Remember, we can’t feel the sensations of these dicks, so it’s good to check in while penetrating one another. Especially with some of these difficult positions that we’re trying to do.”

It also helps, she adds, that Q and Vegas are among her favorite directors to shoot with.

“I love them so much because of Siouxsie’s communication and showing me her vision, and I love Michael because he is so artistic, catching the best angles; you have to have an eye for it. Together, they are an A-plus team.”

Sure enough, the dynamic directing duo execute the finale with finesse and perfectionism, as do the three performers, who all rise to the occasion with flair. Phillips, Rose and Surreal transition to the stools by the counter for a multi-position ballet of breast play, oral action, cowgirl, doggy and an array of other penetrative poses requiring no small degree of balance and muscle strength as they switch positions on the stools.

Then, as the finale reaches its magnificent crescendo, it is time for the money shot. Out of sight of the cameras, Acero enlists PA and performer Spencer Bradley to help pump viscous white liquid through lengthy tubes, which Vegas conceals by adjusting camera angles. As the frenzied fornication onscreen reaches a fever pitch, offscreen Bradley and Acero pump madly as well, until prodigious fountains of cum spray from prosthetic penises, gouts and gouts all over the place, glazing Phillips like the ultimate bukkake queen.

With such a singular blend of futa genre fan service, a dedication to maximum realism that helps ground the larger-than-life action, and that Adult Time polish, “Futa World” is primed to serve a niche audience that knows exactly what it wants — and is about to get it.

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